The 2 - 5 - 1: One Progression To Rule Them All
- galdornay

- Aug 28
- 3 min read
Jazz is likely one of the most intricate and complex music styles to date. However! When you examine the music more closely, you'll notice that many of our cherished jazz standards utilize very similar chord progressions.
One of the most important progressions, if not the most important, is the 2 - 5 - 1 progression.
In this post, I will begin by explaining what a 2-5-1 progression is, and then provide several ideas on how to play a 2-5-1 progression, ranging from simple methods to more complex approaches.
What is a 2 - 5 - 1 Progression?
Well, truth be told, it is a very simple idea!
First, you must decide in which key you are playing. Let’s take the C major scale for this example.
The notes of the C major scale are: C - D - E - F - G - A - B
And we can also number these notes in order of appearance.
C - D - E - F - G - A - B - C - D…
1 - 2 - 3 - 4 - 5 - 6 - 7 - 1 - 2 …
Now, let’s transform each one of these notes into a diatonic chord (diatonic means only using the notes of the scale):
1 - Cmaj7 (C - E - G - B)
2 - Dm7 (D - F - A - C)
3 - Em7 (E - G - B - D)
4 - Fmaj7 (F - A - C - E)
5 - G7 (G - B - D - F)
6 - Am7 (A - C - E - G)
7 - Bm7b5 (Half diminished) (B - D - F - A)
Okay! Now, in order to play a 2 - 5 - 1 progression, just play the second (2) chord - Dm7 then the five (5) chord - G7 and lastly the one (1) chord - Cmaj7.
Before diving into how to play these progressions on the guitar in different ways, I suggest taking some time to identify the chords for the 2 - 5 - 1 progression in several other keys. This will help you become familiar with the various chords in each key.
If you find yourself stuck, I've created a small table here to assist you!
Key | 2 (ii) | 5 (V) | 1 (I) |
C | Dm7 | G7 | Cmaj7 |
F | Gm7 | C7 | Fmaj7 |
Bb | Cm7 | F7 | Bbamj7 |
Eb | Fm7 | Bb7 | Ebmaj7 |
Ab | Bbm7 | Eb7 | Abmaj7 |
Db | Ebm7 | Ab7 | Dbmaj7 |
Gb/F# | Ab/G#m7 | Db/C#7 | Gb/F#maj7 |
B | C#m7 | F#7 | Bmaj7 |
E | F#m7 | B7 | Emaj7 |
A | Bm7 | E7 | Amaj7 |
D | Em7 | A7 | Dmaj7 |
G | Am7 | D7 | Gmaj7 |
How to even play a 2 - 5 - 1 progression?
In this next section, I will share with you some ways to play a 2-5-1 progression.
Each example will expand on the idea of the progression by adding more notes to the basic shell voicing chord, using different tensions for each chord, and even replacing some chords with substitute chords.
Let’s get started!
Example 1.1: The most important of them all

Example 1.2 : Similar but a little bit different

Example 2: Adding the 5 to the mix

Example 3.1 : Adding extensions (9, 11, 13)

Example 3.2

Example 4.1 : Adding tensions

Example 4.2

Example 5 : Chord substitutes (Tritone Substitute)

Mastering the 2-5-1 progression is key for anyone looking to dive into playing jazz music. It is the most commonly used progression in this style of music and a huge part of this amazing language.
The more proficient you are in this progression, the better player you will become! So make sure to learn these examples in every key and position on the guitar.
And don't forget to always keep experimenting and looking for new ways to play this progression. Try to add notes to it or take some away, try different sets of strings, try playing with and without the root of the chord, and so on.
For more information about learning music, guitar, and chord progressions contact me today.
Gal Dornay



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